残したい日本の音風景100選 translates as "the 100 Japanese soundscapes we want to keep." In autumn 1995 the Environment Agency, which then ran Japan's environmental policy (it became the Ministry of the Environment in 2001), asked a panel to look at sound the other way round. Noise drew more complaints than any other of Japan's seven classic forms of pollution, and the agency's noise policy had been about cutting it. Since 1993, though, it had also been commissioning four local councils a year to try the "soundscape" approach, which treats sound as part of everyday life rather than as a nuisance. The list was the next step: ask people which everyday sounds they would miss, and protect the conditions that let them be heard.
Nominations ran from January to late March 1996 and drew 738 entries from local governments, individuals and citizens' groups. A nine-member panel read every one. Its chair was Yamashita Mitsuyasu, head of the Kobayashi Institute of Physical Research, and its members included Torigoe Keiko, then an associate professor at the University of the Sacred Heart in Tokyo, and the music critic Yukawa Reiko. They judged each nomination on how closely people lived with the sound, the state of the sound itself and local efforts to protect it, and kept a regional balance. The result was announced on June 5, 1996. The ministry sorts the 100 into 31 of living things, 19 of rivers, waterfalls and the sea, 37 of human life (festivals, bells, crafts and transport), 12 mixtures, and a single entry filed under "other: silence, or impossible to classify." Yamashita wrote that once the spring below his institute in Kokubunji made the 100 Remarkable Waters list, people stopped throwing rubbish into its stream, and he hoped these 100 sounds would do the same for noise.
The ministry's list still carries all 100 as chosen in 1996, but thirty years on, three of the sounds have stopped for now. A typhoon cut the Oigawa Railway below Senzu in September 2022, so its steam whistles no longer reach the listed spot in Kawanehon; work on the line began in August 2026, and the railway aims to run through to Senzu again by spring 2029. Tarumi's sand lance boats last worked Osaka Bay in a season that ran from March 4 to 8, 2023. The fishermen of Osaka and Hyogo have called the season off every year since, because the stock is too low. And Kanzeon-ji in Dazaifu, which used to ring its 7th-century bell only on New Year's Eve, has deposited it with the Kyushu National Museum for safekeeping; there was no ringing at the end of 2024 or 2025. Some places have come back after disasters. Floods wrecked the clay mills of Onta in 2017 and again in 2023, and the potters rebuilt them. The 2011 tsunami swept away the Rokkakudo pavilion above the Izura coast, and it stood again the next year. And the Mikurodo sea cave at Cape Muroto, closed for rockfall in 2015 and still called closed in many lists, has been open under steel canopies since 2019.
Most of the changes are quieter. Wild bell crickets have become hard to find on Sendai's Miyagino plain, where a residents' committee has bred and released them since 1990 to keep the sound going. The Yagiri ferry still crosses the Edogawa, but under motor rather than oar. Sanpoji Pond in Tokyo, known into the 1950s as the pond that never froze, has lost its springs to the city around it and is kept full from wells, and Osaka's classic pine-cricket meadow on the Yodo has been closed for expressway works since October 2019. The calendar has shifted too. The Yashima marsh frogs now start calling in early May, a month before the ministry's dates, Tsurui feeds its cranes only from December to February, and Yatsuo has suspended the late-August evenings of dancing that used to lead up to the Owara. We check each entry against the operator's or town's own announcements, and the rows below say what has changed.
In Japanorama, season 19 of Jet Lag: The Game, the players race for seven days from Nishi-Oyama, JR's southernmost station, to Wakkanai, the northernmost in Japan, and they have to clear a challenge to get out of each prefecture. One of the cards that can turn up on the shared board is Record an Iconic Sound: track down any one of these 100 and get it on your phone. To play along on your own trip, start with the time bells, which keep to the clock (Sapporo's strikes every hour, day and night, and Zenko-ji's every hour from 10:00 to 16:00), and save the cranes, frogs and festivals for when the calendar lines up.